Granum

My first Kendo Seminar is over. It was an interesting and fun experience, and I learned a lot (although I only ever realize how much I actually learned when I look at the notes I took every day, which comprise two pages of small, squashed handwriting). While I didn't reach the limits of my bodily energy and felt it could have been more exhausting, I probably did reach the limits of my mental learning capacities with the nine Kihon-waza.
Interestingly enough, as the days went by I got gradually less sleep, which I didn't mind until the last day on which I was walking around like a zombie after midday and fell asleep when I came home. Allegedly you need less sleep when you exercise a lot. I'd believe it if I didn't know that I got up at 6am on Saturday because my brother had said that my strikes suck and I therefore wanted to be in the dojo a bit earlier to practice a bit.
On the one hand I'm sorry it's over, but on the other glad, because I got a few painful do strikes on the hip and a men on my fingers on the last day, and everybody's concentration wouldn't have increased, so such accidents might have happened more often. There's also this huge amount of experiences you get within a few days - I held a Iaido sword in my hands, learned nine Kihon-wazas and a Nihon-kata, consulted Google and YouTube more than ever, needed a tape for my feet for the first time, had my first exam and have now tons of stuff that I know I have to improve on - I'll need some time to process all of that.

Again, I can't help but to see the similarity to drawing. There's always room to improve, and especially as a beginner or amateur you feel overwhelmed and sometimes demotivated at this huge task ahead of you.

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I finished Not on the Label today. The last chapter on The Ready Meal was very interesting and insightful, although only partly applicable for me, as I don't eat ready meals. The rest of the book was nice, too, but not as useful. The last chapter talked not only about ready meals, but also about the ingredients of yoghurts and how eating habits have changes through the decades (e.g. We now consume many more omega-6 fatty acids than omega-3 fatty acids. The ratio should be 1:1, but is now at 10:1 or even 20:1. The chapter also discussed how there may be a link between omega-3 fatty acids and a reduction of violence).

I also quite liked the afterword of the book:
"Food is one of life's great pleasures. Shopping for it, preparing it and eating it has bound people together for centuries. It is in eating together that we are socialized. In the end, it's about what kind of society we want."

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A quick design I made for a roleplaying game:

Zen and Jedenspeigen

Kendo training on Thursday was great. Afterwards it felt as if endorphins rather than blood and water were flowing through my body. I again realized that I really have to work on my concentration. It seems to have deteriorated over the years, and I'm now much too easily distracted (causing me afterwards to do some research on the philosophy behind it. Wikipedia says it takes many years to be capable of mushin. I think that's an understatement).
I'm trying to apply what I learn from Kendo to drawing/painting. There are similarities. My arm and wrist are tensed up during Kendo; that's probably also what makes my sketches look so unappealing (apart from the anatomy mistakes). Maybe my grip on the pencil should be much more relaxed and not as tight as it is, so the end result won't look forced and I can pay more attention to the lineweight. I probably also should approach drawing more analytically - observe, notice patterns and causes for mistakes and eradicate them. You learn more effectively when you're aware of every step you take, because then you see when you take the wrong path.

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I spent the weekend in Vienna, buying books and going to a medieval fair. I finished reading one book on the train and came back with five new books. The shelf next to my bed is now officially unable to take more books.
I started reading Not on the Label, which seems to be very similar to We Feed the World, only that it's specific to the British market. The author had a look at products from Sainsbury and Wal-Mart, talked to workers in Birmingham, etc. So in the end it will probably be not as useful to me as it could be, but I got it for 1€, so I won't complain. So far I found out that packaged salad is put into water with chlorine before being packaged, with a chlorine level twenty times higher than in swimming pools. Yummy. Another good reason for me to buy organic food.

The market in Jedenspeigen was nice, although I guess that was mostly because of the people I met there. Rhiannon played quite frequently, but apart from them the program didn't interest me that much. The market was also fairly small and took place on a field (the organizers had lots of hey put on the ground). The earth was extremely dry, there were lots of people, resulting in lots of dirt being whirled up and blown into our faces. I was regularly trying to get the dirt out from under my contact lenses. However, what I really liked about the market was that the people from the craft guild (Handwerksgilde) were there and gave you lengthy explanations when you asked about their work. I learned a lot from listening to them. They were also very friendly and approachable.


A very nice church that we came across while walking to the market. Lovely architecture.


One of the craft guild.


Two "knights" practicing their sword play. That was also a very nice visual image, those two silhouettes moving about in front of the sky.

Weiche, Satan

Finished this painting after what must have been almost a year. I had a looong break in between because I continually did some research on the topic (child abuse) and that dragged me down, so I didn't want to work on it anymore. Also because the topic is important to me, therefore I wanted the picture to be good and I invested more time in it than usually. Now I call it finished/abandoned, although there are several points I'm not happy with. Can't improve them with my current skills, so I need to improve my skills (with more sketches and paintings).



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Here's something for the "Fantasy readers worship Satan" faction (who are probably not reading this blog):

While this is a topic that I'm not researching, it might have been my topic if my first noe had been rejected and I'm still moving on its borders (in an unplanned sort of way). I may be wrong, but my reading so far suggests otherwise. It seems that Fantasy was initially not written to fulfill all our devilish desires, to oppose the Pope and the Church and to lead unsuspecting children to black masses, so they try cursing each other with wands. Quite the contrary.
Tolkien may be the godfather of Fantasy, but the genre started earlier - that is, in my thesis period, the Victorian age. And it began with writers William Morris and George MacDonald, who were devoutly Christian (isn't that a surprise?). How did this happen? My semi-proved theory says that the Enlightenment caused people to become rational on the one hand, but on the other hand a group of people formed a counter-movement to rationality and fully delved into Victorian sentimentality. With the Enlightenment, people brutally found out that man is fallible and imperfect and that their Eden-esque ideal does not and cannot exist. Imagine how crushed they were. So the crushed people tried to hold up their ideal and their moral standards by writing books of morality. Either realistic novels in which the protagonist is some kind of emotional and social uber-human who is - despite what science had shown - perfect, or Fantasy novels that bring the protagonist into a different world (-> "Otherworld Fantasy"), which resembles Eden, where he/she experiences stuff that improves him/her morally and from whence he/she returns as an improved human being to spread the love.
(Sort of like going out to do a sport that challenges you physically and mentally and returning as a better person.)
So, there you go, book-burners! The original idea of Fantasy was not to make people worship Satan, but to turn them into good Christians. I'll just sit here and cringe for a bit as this insight fully fills my mind.

Harry Potter 7

New Scientist has an article saying that obesity is possibly (socially) contagious. It sounds ridiculous at first, but when you read the article and think about it, it makes sense. I guess it ranges in the same category as peer pressure/soft power. We proclaim our individuality, but simultaneously became more of the same.

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Finished reading HP7 (so rejoice, this will be the last HP posting for a long while). Overall, I enjoyed it. The first two thirds could have been more interesting. You notice that J.K. Rowling is not used to deviating from the usual Hogwarts school year structure. It was nice that quite a few characters died (could have even been more - I was hoping Harry would die). The last third was absolutely wonderful; very capturing (although I didn't need the heaven-scene and the epilogue). I loved Snape's memories. The book is a good ending to a good series. And, as always, I'm happy to finish off a series so I can start something new.

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Couple of sketches from the Irish Pub and FNM. It's amazing how you notice that many different people sit in the same position a lot.

Harry Potter 5

There's a nice article on organic farming over at New Scientist.

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I watched HP5 a couple of days ago. It was nice - dark and moody. The essentials of the book were in it (as far as I could remember), but - of course - a lot was cut, so the film really could have been longer. Despite the 140 minutes it seemed quite short and a little too fast-paced. I don't think cutting Daniel Ratcliffe's hair was a good decision aesthetically and Sirius again looked too elegant and handsome. I'm also not sure if people who haven't read the book understand all that is going on in the film (Tonks' red hair wasn't explained at all, also pretty much her whole appearance; same with Kreacher). Still, as someone who has read the book and who watched the film for a nice visual reminiscence of a known story, it was good and enjoyable. The film has some very amiable characters who partly don't get enough screen time (Tonks, for instance). And some who do get their due screen time - I was looking forward to every appearance of Luna Lovegood and I still love Katie Leung's (Cho Cang) accent. All in all recommendable, even if you don't know the book.
Hm, I do wonder if it's common for British girls to yell "cute" and "awww" whenever a teenage character appears and does something "cute" (I admit, Ron had a nice hero-scene when he defended Harry, but it's nothing that I find culturally justifyable to go vocal about).

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Started as a sketch to get into the flow, thus the boring content:
Loosely inspired by George MacDonald's At the Back of the North Wind