Showing posts with label photos. Show all posts
Showing posts with label photos. Show all posts

Tuesday, March 23, 2010

Five years left

Amusing and interesting video on how newscasts are produced.

I'm delighted to see how many campaigns are pushing people to take action for a better future at the moment. Here's a poster contest for a campaign to increase the visibility of the Millenium Goals in the struggle against poverty (gosh, are there really only five years left?).

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Gerade wir wieder ordentlich auf die Schokolade gedrückt. Neben dem kurzen Neste-Greenpeace-Spot gibt es einen geringfügig längeren Beitrag in der ARD Mediathek über Kakaobohnenernte in Afrika und Kindersklaven aus Burkina Faso: Kindersklaven für Schokohasen. Mahlzeit.

Dafür noch etwas zur Erheiterung: Was ein Navi noch nie gesagt hat (aber sagen sollte)


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Photos from the medieval fair in Waxenberg:






Friday, January 29, 2010

Winter wonderland

Some look into the future of transport by plane.

It's been snowing massively. Just beautiful. This is what my way home from work looked like on Wednesday:



Monday, November 09, 2009

Housework

I needed a lampshade...


So I made one.



It's far from perfect and I'm not really a successful do-it-yourself person, but it's 100% made by myself and a unique item, which makes it superior :)

Wednesday, July 15, 2009

Entertainment

I feel bad for only fulfilling 15 of 100 basic skills for geeks. Ah, it seems my nerd days are over.

Instead, I find myself enjoying this Kendo video way too much. I want to play it over and over again, just to enjoy that feeling of pure love that Kendo gives me and to exult in the joy of gogi. Every inch of that video speaks through body language (which I'm probably only reading because I understand at most 5% of what is said ... taisho, shimpan, shiai, ippon, yuko datotsu, tehehehe). The people clapping, the kenshi's utter look of bewilderment. Pure love.

Another lovely film is this stop-motion production. Very cute.

***

Der Rechberger Mittelaltermarkt fand wieder statt, und nach dem wunderbaren Erlebnis letztes Jahr hatte ich natürlich hohe Erwartungen. Leider wohl zu hoch, denn dieses Jahr fand ich ihn etwas enttäuschend. In der Lagerwiese waren "Löcher", wo letztes Jahr Gruppen waren, und einige der hochwertigen Händlerstände, die mir noch gut in Erinnerung waren, fehlten auch. Dafür gab's Jonglage zum Mitmachen und die Möglichkeit einer Quickie-Hochzeit.
Das Ambiente ist allerdings unschlagbar, daher: Nächstes Jahr wieder!




Thursday, May 28, 2009

Among the Living

I'm back. I have tons to write, and I'm writing tons, only in tons of places. Sort of ;)


There's a bad photo of the costume I designed and made some time ago:



In April, there was an exhibition on Japanese art in Salzburg. I wrote a report on it here, with photos.

In the Biologiezentrum Dornach the exhibition "Gefangen in Bernstein" is currently taking place. Quite nice for a short afternoon trip.





This Saturday, there will the the Fairplanet Festival in Linz. A week later, there's the Fest der Sinne in Wels. In September, we'll have another installment of the Wearfair. Nice!
(I just wish the Wearfair didn't always take place when I'm out of town.)

I'm also now co-habiting with six Kendo-infested beings.



And because I adjust to all kinds and tastes, I have given them both names:



and numbers:



And I also revamped my website. Go check it out.

Thursday, January 08, 2009

AEC09

Jeder Besuch im Linzer Ars Electronica Center ist ein Erlebnis. Die Symbiose von Technologie und Kunst schafft es immer wieder, in mir Visionen der Welt zu wecken, wie sie in der Zukunft sein könnte - nicht immer zum Guten, aber immer inspirierend.
Am Wochenende wurde das neue AEC mit drei Open House - Tagen eröffnet, und die Massen stürmten hinein, bis die Türen verschlossen wurden. 4.5 Stockwerke voller Neuheiten waren überfüllt, so dass es viel zu sehen aber nicht so viel zum Ausprobieren gab, weshalb ich demnächst irgendwann noch einmal hingehen werde. Es gibt dort einfach zu viele Dinge, die mich fasziniert haben. Mit jedem Stockwerk stieg auch meine Begeisterung.
Im Keller ist die Umwelt-Abteilung eingesiedelt, in der man Retina-Scans machen kann, die an Bilder vom Universum erinnern. Daneben gibt es Mikroskopie bis in die mehrere tausendfache Vergrößerung und in sich geschlossene Lebensräume, sowie aufgespaltete und mit menschlichem Auge sichtbare Tomaten-DNA. Und, am Besten, Bücher! Ich könnte mich dort eingraben zwischen den Werken über Medienkultur und Körperkult. Auch einige bekannte Technologien waren dort zu finden, wie z.B. das Herausboxen der Form des eigenen Lampenschirms und 3D-Zeichnen mittels 3D-Brille.

Im Erdgeschoss ist die Robotik-Abteilung sowie die Nachfolge vom Cave, in der wir Das letzte Abendmahl digital zusammengesetzt aus vielen, vielen Einzelbildern gesehen haben, weit reingezoomt, so dass selbst der 1cm große, fast verblasste Kirchturm nebem Jesus' Kopf deutlich sichtbar wurde. Mir hat es dort aber v.a. das japanische Klettermännchen angetan, das im Originalversuch über 6h mit seiner Batterie einen Berg erklommen hat.

Das erste Stockwerk war sehr musikalisch angehaucht; mein absolutes, unschlagbares Highlight eine Nachbildung inspiriert von Animusic Pipe Dream. Ab dieser Entdeckung konnte ich mich nicht mehr zurückhalten, wurde verbal sehr reduziert und hatte vermutlich ein unverkennbares Leuchten in den Augen.

Obwohl ich dachte, meine Gefühle zu dem Zeitpunkt wären nicht mehr zu toppen, kam die Begegnung mit meiner momentanen großen Liebe im zweiten Stockwerk, das für mich eindeutig das Steampunk-Stockwerk ist. Maschinen, Zahnräder, Mechanik. Alles da, hübsch, ästhetisch, kunstvoll und brilliant. Man muss es gesehen haben, so lässt es sich nicht in Worte fassen. Ein Werk hat Bewegung auf Null reduziert, indem jedes Zahnrad sich immer langsamer dreht. Zehn Zahnräder, aber die Bewegung erkennt man ab dem dritten schon fast nicht mehr.


Steampunk hat einfach was.

Sunday, August 03, 2008

Byzantine WIP 3 - Mission Failed

The board is done and must be done anew. I messed up, so it has too few playing fields. Ahem. Sixteen are missing. Better luck next time.
So, when I said "if I ever do something like that again, I'll do everything differently" in my last posting, I didn't expect the "again" to happen so soon.



There're still so many things you can do with it and use it for. You only can't play chess.


And some by-products from my woodworking spree. Yes, they all look more or less the same, but it was fun, and that's all that counts :D


One of the necklaces gracefully shown off by Tigris:

Tuesday, July 22, 2008

Byzantine WIP 2

Next step. I did lots of rasping and sanding and sawing. Learned lots about different wood types, too. So, if I ever do something like that again, I'll do everything differently ;)

Next stage is the coloring.


Thursday, July 17, 2008

Byzantine WIP 1

I started working on the Byzantine Chess. Bought the raw materials last weekend, before going to Vienna for the medieval fair at the Heeresgeschichtliche Museum and a friend's birthday party. There's too much chipboard and not enough solid wood in DIY superstores.
Today I played a bit with the wood to see how it behaves and to find a design for the mini-pillar.



Wednesday, July 02, 2008

The Handmaid's Tale and Rechberg

Book recommendation: The Handmaid’s Tale by Margaret Atwood

With The Handmaid’s Tale Margarte Atwood follows the tradition of George Orwell’s 1984 by drawing up the picture of an alternative, dystopian present. The novel’s reality is based on a well-controlled patriarchate in which women are put into a position that is reminiscent of the nineteenth century. “Families” consist, if they are lucky, of a husband and a wife, between who there is often no love lost, and a Handmaid, whose job it is to get pregnant, give birth to a child and then to be referred to the next family.
The protagonist of the novel is one of these Handmaids and tells her version of the time before society changed and how she now lives after the change. While rather little actually happens in the novel, the reader’s interest is kept throughout the 280 pages by the glimpses that Atwood gives us about “her” society. We learn about its rules, people’s resistance and find enjoyment in discovering similarities to religious dogmas and society as it was a century ago.

What I find fascinating about the dystopian stories that I have come across recently is their obsession with childhood and childbirth. I was strongly reminded of the film Children of Men when I read The Handmaid’s Tale. Both stories pick out childbirth, or rather the lack of it, as a central theme. It’s probably reasonable enough – after all, Science Fiction criticizes the present by showing how the future may look like if we continue as we do; and children are one of the strongest symbols for the future. No children – no future.

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This weekend was another medieval fair, this time in Rechberg. The promotion already started a week before the event, on Monday, when the band Rhiannon began a trip on foot from Linz to Rechberg (60km) in four days, accompanied by a baker with his donkey, the Tuchfärberey. Which is an endeavour that, in my eyes, absolutely rocks.

The market itself was wonderful. Situated in the middle of Mother Nature, very large and friendly. The music seemed to be more of the quiet kind, which is rare on markets, as the bands usually need to gather attention. I enjoyed the more peaceful music a lot.
Unfortunately the market only takes place once every two years, and it isn’t sure if it will be the same next time, which is a shame. I could have spent days there (Sunday alone went by too fast and simply wasn’t enough).


The beginning of the trip on Monday in Linz.


Some of the musicians played additionally apart from the announced program. Here's the new band member of Rhiannon with her harp.


We squeezed in a little photo session on one of the sidetracks that led from one area to another. (Her smile is actually nervous. "Wellll. I'm sitting on a slippery, moss-covered stone and at some point I need to get off again.")


"Now I'll freeze like that, become a statue, then I won't have to get off at all."
(Medieval leather-shoes are actually very tough for walking and climbing around like that. Christine rescued me several times from fallling very hard.)


20.000 shades of green.


A highlight of the fair. This German Spitz was the most hyperactive dog I've ever seen. In a cute "Give me attention! I wanna play! I'm here! Look at me!" sort of way. And whenever he got the attention of his owner he happily freaked out :D


After the end of the fair Christine and I went to the near observation tower in the forest.
I'm biased, but I think the Mühlviertel has some of the most beautiful landscapes in Austria. Forest, hills, all very soft and round and green.


And became queens of the world for some odd minutes (Well, she did. I was much too concerned by the suspicious noises the wood of the tower made whenever we moved).


Not quite an adventurous pirate lass, but maybe at some point in the future...

Wednesday, June 11, 2008

Medieval Fair on Burg Clam

Some pictures from the medieval fair on Burg Clam from June 1st. It was a nice fair, beautiful setting and relaxed atmosphere.


A car-view of the castle



Absolute highlight of the fair was the Fangdorn-show, with an immensely moveable dragon (10m long, 3m tall), breathing smoke and fire (not as much fire as he'd have liked to, due to Austrian security regulations, but still quite impressive). The actors were incredibly funny. They were prevented from doing some of the special-effects, so they compensated a bit with hilarious side-comments. Spontaneity rocks.



Afterwards the kids could go and touch Fangdorn. You wouldn't believe how quickly a giant dragon can get drowned in kids.

***

Apparently our fast-paced society already began in the fifteenth century, when the chess rules were altered in order to allow for a quicker game.

Inspired by one of the craftsmen in Clam, I designed a Byzantine Chess:


The ornaments are based on clothes patterns from ancient Byzanthium, as is the clothing of the figure in the middle (symbolizing luck/destiny). The craftsman who was working on a Merels game board in Clam also told us that, in medieval art, women whose face was painted in two colours symbolized unstaete (falsehood or inconsistency), which I shamelessly took over for my design.